tLi - Gorean Dances

t L i
Gorean Dances
~~~~~~~~~~~~~

A Gorean channel on Bondage, Dalnet, and Austnet, located in the lovely riverport city of Lara.

based on
The Chronicles of Counter-Earth
by John Norman

Last Updated: 15-Jun-2004 -+- 2^nd of the 3^rd Passage Hand 10,155 Contasta Ar
© 1997-2006 by the Lara Inn Organization. All Rights Reserved. Please read the complete copyright page linked to this notice.

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Back to The Laran Scrolls

Listed here are all the occurrences of dances in the Scrolls, plus some dances pyxi was able to find on various websites. We decided to present this information in a "notes" format, where the very basics of each dance are presented, and a reference is given where you can see the full text of the dance as it appears either in the Scrolls or on personal websites.

Both slave dances and Free dances are presented for your reference.

This is pyxi{OcL}'s project done as a final requirement of her blacksilks training at tLi.

See Oryx' Principles of Gorean Dance for a detailed review of Oryx' concept of Gorean Dance, and how he teaches it.

		All Dances
		Dances of the Free

Dances of the Scrolls
Name Source
Quote or Author	Raiment, equipment	Description
1. Belt Dance Assassin, pg. 185
The music was wild, a melody of the delta of the Vosk. The belt dance is a dance developed and made famous by Port Kar dancing girls	White silken cord knotted about waist Narrow rectangle of silk, about 2 feet long, thrust in the cord	Performed with a warrior Head should not rise above the Warrior's belt She may never rise to her feet Writhes on the furs at his feet, moving as though being struck with a whip Becomes more and more frenzied in her efforts to please the impassive Warrior.

2. Dance of Beauty Tribesmen, pg. 08
Immediately the girl stood beautifully, alert, before us, her arms high, wrists outward. The musicians, to one side, stirred, readying themselves. .... There was a clear note of the finger cymbals, sharp, deliberate, bright, and the slave girl danced before us.... The eyes of the men gleamed. Before each man, for moments seemingly his alone, she danced her beauty.	Dancing silks hang low on bared hips Front corner pulled behind and thrust into rolled silk knotted at the hip Back corner drawn before her and draped into rolled silk at her hip Belt of threaded small gold coins worn low on hips Veiled Many armlets/bracelets Golden finger cymbals on thumb and first finger of both hands Collar	Writhes upon an imaginary, supple, slender "slave pole," Undulates and sways with mounting sexual excitement, captive to the pole Once released, she completes her dance, demonstrating her need to be taken by Men.

3. Chain Dance Nomads, pg. 159
Then, to the music, the girl seemed to twist and turn and move away from him, as he played out the chain...	Slave is swathed in black Heavily veiled Collar Chain	The dancer appears to be trying to flee from a Warrior. Warrior attaches a collar and chains to her. He plays out the long chain and she seemingly tries to fight him. He keeps reeling her in more and more until she surrenders to him finally in his arms

4. Dance of the Six Thongs Raiders, pg. 228
She turned and twisted and leaped, and sometimes seemed almost free, but was always, by the dark thongs, held complete prisoner. Sometimes she would rush upon one man or another, but the others would not permit her to reach him, keeping her always beautiful female slave snared in her web of thongs. She writhed and cried out, trying to force the thongs from her body, but could not do so.	Wears collar with slave bells Locked rings on ankles/wrists with slave bells attached Six Men Binding fiber	Six men approach the girl each with a length of binding fiber The binding fiber is attached at wrists, ankles, and two at the waist Men stand 6-8 feet from the slave, three on each side The slave begins by acting as if she is not bound. She becomes angry when she realizes she is being held captive. She tries to strike out at the Men, but is restrained and continues to writhe and fight They join together and bind her fully, lifting her over their heads as a fully captive slave.

5. Pole Dance Blood Brothers, pg. 39
She then stood, held by the tethers, wildly, before the pole. Cancga pointed to the pole. She looked at him, bewildered. Then the quirts, again, struck her, and she cried out in pain. Cancega again pointed to the pole. Winyela then put her head down and took the pole in her small hands, and kissed it, humbly. "Yes," said Cancega, encouraging her. "Yes."	Dust on her hair and body 3 bars of grease on her cheeks Grease smeared over her body	Slave helplessly dances her servitude. Tethers pull her back from the pole, she struggles to reach it. Bit by bit she is allowed near it. She embraces the pole. She climbs on the pole. She dances on her knees, belly and back to the pole. Slips her legs about the pole. Writhes on it as if chained to it. Slithers and slinks about the pole, kissing it Dances her obeisance to the pole and to all Men.

6. Dance of Need Rogue, pg. 185
She was performing a need dance, of a type not uncommon among Gorean female slaves. Such a dance usually proceeds in clearly defined phrases, evident not merely in the expressions and movements of the girl but in the nature of the accompanying music.	No specific garb mentioned	Five phases to the dance: Girl feigns indifference to the presence of Men Her distress, uneasiness, restlessness, and disturbance by her sexual urges become subtly more manifest. In an almost ladylike fashion she acknowledges herself defeated in her attempt to conceal her sexuality She dances her need, shamelessly begging for sexual satisfaction. This phase is sometimes known as the Heat of the Collared She-Sleen She is overcome by sexual desire; seldom on her feet, she rolls, sits, moves to her sides, back and belly. She crawls, twists with passion, presents her body for inspection, whimpering, moaning, crying out. This phase is sometimes known as the Heat of the Slave Girl

7. Dance of the Panther Girls Hunters, pg. 138
Then all of them, together, turned slowly to face me. They were breathing heavily. Their hair was disheveled, their eyes wild. I lay before them, helpless. Suddenly, as one, they seized up their light spears, and, swaying, spears lifted, began to circle me. They were incredibly beautiful.	Spears Skins Gold ornaments	The Panther girls surround the slave, feinting thrusts that become wilder and more frenzied, dancing about as they do so At the peak of passion, they fall upon the slave as if feeding, licking and kissing.

8. Ship Dance Assasins, pg 240
...danced alone, danced for himself the memories of gleaming Thassa and the swift black ships, the Tarns of the Sea, as the galleys of Port Kar are known.		Performed by a guard Moves his legs in imitation of the pitch and roll of the ship at sea Moves his hands as if climbing a rope, then hauling rope, then splicing and knotting it

9. Dance of the Larl Assasins, pg 240
A moment later another guard leaped into the pit of sand and, to the amusement of the girls, began a dance of larl hunters		Joined by two or three others, in a file, dancing the stalking of the beast, the confrontation, the kill

10. Ar's Dance of the newly Collared Slave Assassins, pg 308
The auctioneer signaled to the Musicians again and once more, to the shouts of the crowd, while he held open his hand, not yet closing it, taking bids, the girls performed the last moments of Ar's dance of the newly collared slave girl		She dances her joy at the thought of being in the arms of a strong Master When the dance ends she assumes the position of submission

11. Sa-eela Dance (or Dance of the Love-Starved Slave Girl) Guardsman, pg 260
The Sa-eela is one of the most moving, deeply rhythmic and erotic of the slaves dances of Gor...performed in the nude, as though by a low slave, and by a girl freed of all impediments except her collar, ...is one of the most powerful of slave dances...	Collar Table	Slave uses the table to writhe against, kissing it and touching it Slave moves to the floor and writhes as if lonely and frustrated, striking the floor with her fists Rolls to belly, rising to hands and knees, head down; music switches from frenzied to lyrical, melodic, poignant Crawls, hand outstretched before her, as if a barrier blocks her way Rises, tracing the outline of the "walls" that contain her, moving with some desperation Begins to preen herself for use by a Master, then holds her wrists together as if bound Walks to the "wall" and then flees in tears to huddle in the corner, still penned She hears a sound and feigns disinterest, then writhes her body piteously to be used; is taken out and struck several times Assumes position of pleasure slave Is thrown harshly before the Masters to perform for them Music pounds and throbs as she dances feverishly to please the Men Falls to tiles as music ends, straining towards the Masters, body arched and excited

12. Tether Dance Explorers pp 360-363
I jerked the tether on her throat. "This is a tether," I said, "It is to be well incorporated in your dance. You are a tethered slave. Do not forget it..."	Tether	Slave uses the tether throughout the dance She may fight it, caress her body with it, confine herself with it Done both standing and on the floor

13. Love Dance Tarnsman, chapter 11
"Then I shall show you a love dance," she said happily, "a dance I learned in the Walled Gardens of Ar." "I should like that," I said, and, as I watched, Talena performed Ar's strangely beautiful dance of passion.	Scarlet silks Ankle bangles with tiny bells Finger cymbals on thumb and forefinger of each hand	She dances with spirit before Him, falling at His feet when she is through

14. Dance of the captured slavegirl Outlaw, pg 33
Then, to the barbaric, intoxicating music of the flute and drums, she dances for her captor, the bells on her ankles marking each of her movements, the movements of a girl stolen from her home, who must now live to please the bold stranger whose binding fibre she had felt, whose collar she wore	Scarlet dancing silks Bells strapped to each ankle A whip may be present, as needed	Immediately after being collared she rises, angrily, defiantly The Master signals the music to begin and she starts to dance She dances as a girl who has been stolen from home and must now serve a Master At the end of the dance she is given a cup of wine that she serves to her Master

15. A Surprise Dance Nomad, pg 69
The drums and flutes of the musicians sounded, and to my amazement the first girl, with a sudden, graceful swirl of her body lifted away her robes and flung them high overthe heads of the guests to cries of delight.	Initially wears robes of concealment, not specified what is under them.	Slaves begin at the table, along with FP, guests not aware that they are slaves. Guest makes comment about how in His city, FW would not go unveiled. With a clap of the hands, the women rise as one and toss the robes of concealment over their heads. The slaves dance for the guests under ordered from the room.

16. Rence Girls Dance Raiders, pg 45
The dances of rence girls are, as far as I know, unique on Gor. There is some savagery in them, but, too, they have sometimes, perhaps paradoxically, stately aspects, stylized aspects, movements reminiscent of casting nets or poling, of weaving rence or hunting gants.	Barefoot, bare-armed. Some wear beads. Some wear armlets.	Girls either volunteer or are put by Men into a circle. One girl starts pounding on the rence mats with her heel. She raises her hands over her head. All the other girls join in, pounding and dancing. They begin to writhe in ecstacy. When a girl tires, she leaves the circle. A Man follows and lightly throws His rence net over her. He leads her away. This happens till all the girls have left the circle.

17. Panther Girl Circle Dance Captive, p 131
The first girl began to writhe, crying out, stamping in the circle. Then another girl joined her, and another, and another. And then another! Stamping, turning, crying out, moaning, clawing at the moons, they danced.	Circle in the forest 4 stakes forming a square, each notched so binding fibre will not slip Skins Gold ornaments.	Each panther girl in turn enters the circle. They begin to dance savagely. They tear the clothing from their bodies. They dance with fury. They scream. They throw themselves, kicking and clawing, to the ground. They sob and cry under the moons. As the moons wane, they quiet and eventually rise and leave the circle.

18. Dance of the Newly Collared Slave Girl Raiders, pg 115
The Love Dance of the Newly Collared Slave Girl has many variations, in the different cities of Gor, but the common theme is that the girl dances her joy that she will soon lie in the arms of a strong Master.	Ankle rings Slave bracelets Silks	Slave is ordered to dance, in fear of her life if not found pleasing Slowly the dance builds She becomes more robust in her movements Removes her silks as her need grows She is taken by her Master, or falls at His feet

19. Oar Dance Marauders, pg 83
The Forkbeard then, to the delight of those on the bank, who cheered him, as the serpent edged into the dock, addressed himself delightedly to the oar-dance of the rover of Torvaldsland	No specific garb	(Not an actual dance, rather an athletic feat) He leaps from moving oar to moving oar Moves across all the oars on the port side of the ship Hops onto the deck Leaps onto the oars on the starboard side then back on deck

20. Tahari Chain Dance Tribesmen, (CH 14, pg ??)
Alyena, before us, in the chains of the Tahari, danced. She was a most beautiful trifle, a most lovely bauble	Collar Chains depending from the collar that connect to ankles, wrist and waist Bells Silks Perfume	She uses the chains to enhance the dance Kneels, head down Extends wrists before her Uses the chain to highlight her slavery Dances her chains Dances her helplessness

21. Tile Dance Explorers, pg 7
The tile dance is commonly performed on red tiles, usually beneath the slave ring of the master's couch. The girl performs the dance on her back; her stomach and sides. Usually her neck is chained to the slave ring	No specific garb mentioned	She dances the restlessness and misery of a love-starved slave Moves, twists, squirms as if completely alone The Master supposedly surprises her She tries to suppress her need She surrenders pride and begs for His touch

22. Ianda Dance Explorers, pg. 133
She was skillful and, I suspected, from the use of the hands and beads, had been trained in Ianda, a merchant island north of Anango	Beads	Dancer forms figures with hands and beads, the shapes have symbolic meaning One is of a free woman One is of the whip One a yielding, collared slave One is a thieving slave girl One is a girl summonded, terrified by her Master One is a slave who meets and fears exposure to one who has the plague

23. Tende's Dance Explorers, (Ch. 8, pg ??)
Dance, Tende!" said he. He began to sing and clap, looking downriver. "That is a slave song!" she cried. He stopped clapping and singing, and regarded her. "There are white slaves present, Master!" she cried. He looked upon her sternly. "I dance, my master," she cried, frightened	No garb specified	Begins dance standing Flexes legs Extends arms to the right Is ordered to put her arms over her head, wrists back to back Dances both standing and on her knees

24. Melpemone's Dance Fighting Slave, pg 289
I do not know how to dance, Mistress," whimpered Melpomene. "Please do not whip me." The Lady Florence stood up. "I will dance! I will dance!" cried the girl. The Lady Florence sat down, smiling. "And as you dance Melpomene," she Said, "do not neglect to dance your beauty to the men, and dance it as the, slut and slave you are." "Yes Mistress!" she wept	Naked Collar	Spins and turns to the music Dances before each Man She is shamed by having then to beg a male slave to dance for him Dances for him The music becomes wild The slave becomes aroused The music ends and she falls before him, putting her head to his feet

25. Tavern Girl's Dance Rogue, pg 10
She regarded me, as she danced her beauty before me	Naked Many strings of jewels and armlets Belled gold bracelets and anklets Gold belled collar Pearl droplet suspended from a slender gold chain worn on her forehead	She dances for the Men Dances to show her available sexuality Falls to her knees and dances before one Man Leans back As the music fades she falls to her right hip Extends right arm Lays head on floor

26. Whip Dance Rogue, pg 191
In the whip dance, though there are various versions of it, depending on the locality, the girl is almost never struck with the whip, unless of course, she does not perform well. When the whip is cracked, however, the girl will commonly react as though she has been struck.	Whip	Dances for the Master with the whip Writhes as he towers over her Lies on the floor, one knee raised, palms down Looks up at the Master and turns her palms upward in surrender He crouches and coils the whip about her neck He pulls her to her knees He draws her up by the whip

27. Dignitaries Dance Guardsman, pg 43
The dance was the sort that free maidens of a city might perform to honor and welcome visiting dignitaries, or the ambassador and his entourage, of a foreign city	Hair coiffed high on the head Sleeveless, classic gown of white silk Basket of flower petals Performed with decorum	50 dancers lined up near fortress walls Performed to welcome dignitaries Slowly, gracefully lift their arms Turn, facing first one side, then the other When the music ends, the petals are strewn along the walkway

28. Variation on a Whip Dance Guardsman, pg 106
...a given number of slaves must dance within a circle of free men, of equal number, with whips, stripping themselves to the strokes of the whips and then dancing towards the men.	Whips Equal number of Men and slaves	Danced within a circle If a slave dances near a Man who rejects her, He whips her back into the circle If the slave does not approach the Men, they are whipped into doing so Common to have each slave go around the circle five times Only when she has sufficiently pleased the Men is she permitted to crawl from the circle to the mat of the Master who chooses her

29. Dance with women of the enemy Guardsman, pg 106
This was not the type of party at which, say, the women of the enemy are forced to dance naked and, afterwards, are to be allotted to the victors as slaves, according to the whim of the commander or according to the fall of the dice	Dice	Dance naked before the victors

30. Learning a Pole Dance Kajira, pg 115
"This may be done to music," said Hermidorus, "and, as you know, there are many versions to the post dance, or pole dance, singly, or with more than one girl, with or without bonds, wand so on, but here we are using it merely as a training exercise."	Pole	Writhes about the pole Kisses it Caresses it Licks it Rubs thighs against it Rubs breasts against it Turns about the pole Twists about the pole

31. Kajira Whip Dance Kajira, pg 132
It is not even, really, a dance. One simply has one's clothes taken away, and then one moves before strong, powerful men as such men would have a woman move before them. Then when one is sufficiently pleased, he indicates this and you serve his pleasure	None	Slave dances on the floor She dances standing She dances around their bodies She dances at their feet She dances on her belly She does any movement that they indicate She does all she can to be pleasing She reaches for the fire in her belly and uses movement to beg sexual release

32. Leash Dance Kajira, pg 245
"Now," he said, "Lady Sheila, you are going to be leashed and then you are going to perform on your leash, and supply, and, after that, you are going to beg to please me, as a slave." "Yes, Master," I said.	Thick, plain black leather collar with a lock closure and ring 15' black leather leash attached to the collar	Slave writhes and dances as seductively as possible Master holds the leash, sometimes playing it in, sometimes giving her room to move Slave uses the leash as part of the performance, holding it in her mouth, wrapping her body in it

33. Hair Dance Players, pg 26
Then she took a wad of her long, golden hair and, swiftly balling it, thrust it, as though insolently, in her mouth	None specifically mentioned	Dancing teasingly first Takes her hair and balls it in her mouth Looks reproachfully at the Men Takes hair out of mouth, then puts some back, pulling it like a gag Sweeps her hair modestly over her body, hiding behind it To a swirl of music she parts her hair, holding it behind her in fists, exposed, open Finishes her dance on the floor, writhing seductively

34. Slave Dance Dancer, pg 175
On Gor, dance of the sort in which I was expected to perform, is called, simply, "slave dance." This is presumably because it is a form of dance which, for the most part, is thought to be fit only for slaves, and would be performed only by slaves. "Slave dance," on Gor, incidentally, is a very rich and varied dance form.	Sheet Leash cuff	No further description given

35. Virgin Dance Dancer, pg 190
There are some three senses of the expression "virgin dance" on Gor. There is a sense in which it is a kind of dance, rather than a particular dance, which is deemed appropriate for virgins. ...The second sense is the obvious one in which it is a dance danced by a virgin, and usually just prior to the loss of her virginity. In that sense it could be almost any dance which serves the purpose of displaying the girl before her initial ravishing. The third sense of the term is that of a specific dance, or type of dance...It is not exactly a story dance, but more of a "role dance," a dance in which the slave dances as though she might be a virgin, but knows she is to be ravished, and that she is expected to be pleasing.	Several metal anklets on each ankle Several metal bracelets on each wrist Long corded belt with many metal disks suspended from them, wrapped twice, one tight at the waist, the other low and loose on the belly Beads White ribbon tied to her collar	Stands Lifts hands above her head backs of hands together, knees flexed Dances timidly, fearfully Examines the beads, the bracelets, anxiously Touches her thighs Lifts arms Tries to protect her nudity Straightens up fearfully, as if commanded to Extends hands to the sides as if pleading for mercy Moves with alarm, as if menaced by the whip Begins to show curiousity about her body responses sensing her own sexuality Dances with burning belly Dances her helplessness, passion and beauty Ends dance on the floor on her back, breathing heavily, surrendered

36. Another Chain Dance Dancer, pg 285
I rose gracefully to my feet, and stood before the men. I heard the soft intaking of breath in several of them, in anticipation. How powerful I felt then, though I was only a slave, chained at a ring.	Collar Chain, suspended from the collar, pooling on the floor Slave ring	Flexes knees, arms lifted over head Moves to the floor, dancing with the chain Kneels, head bowed, at the end of the dance

37. Placatory Dance Dancer, pg 332
Most placatory dances, however, are not fixed-form dances, but are "free" dances, in which the slave, exquisitely alert to the nuances of the situation, the particular master, the nature of his displeasure, the gravity of her offense, and such, improvises, doing her best to assuage his anger and beg his forgiveness, to reassure him of the authenticity of her contrition and the genuineness of her desire to do better.	Not specified	May be performed in any position Movements are designed to show her desire to please

38. Tree Dance Blood Brothers, pg 34
Cancega, then, began a slow, shuffling dance. Two others, near him, also with roaches of feathers, shaking rattles, joined him. The focal point of this dance, which wove back and forth, in a fanlike motion, before it, was a high, white-barked tree. Cancega repeated, over and over, carrying the medicine wand, and dancing, "It is the tree."	Rattles Feathers Medicine Wand Axe	Cancega waves the wand and dances, saying "it is the tree" The Men chant "it is tall and straight" They repeat these words and rush the tree, striking it They give the slavegirl an ax She obeys their instruction to strike the tree, low She chops down the tree They grunt approval, then she performs the Pole Dance

39. Dancing Men of Blood Brothers Blood Brothers, pg 274
The dancers, then, were swirling about the fallen red slave, weaving and spinning, in spiraling, swiftly moving circles about her.	Lances	They shuffle in, then jab and prod at a terrified slave The slave is led away by a woman

40. Temione's Dance Vagabonds, (Ch 1, pg ??)
To be sure, Temione was not a dancer, not in the strict, or trained sense, but she could move, and marvelously, and so, somehow, she did, swaying before him, and turning, but usually facing him, as though she wished not to miss an expression or an emotion that might cross his countenance.	Song: Hope of Tina	Sways Turns Tells a Tina's Story: Examines her charms, timidly Then dances her slavery openly, unabashedly, sensuously, slowly, excitingly

41. Dance of the netted slave Vagabonds, (Ch 39, pg ??)
I caught a glimpse, between bodies, of a naked slave writhing in a net on the dancing floor. Four other slaves were dressed in such a way as to suggest that they might be slave hunters, but their costumes were such as to leave no doubt as to their own sex, and considerable charms	Light staffs Net Leash Binding fibre	Slave writhes on the floor "Hunters" whirl about her, preventing her escape They strike the floor with the staffs, sometimes in unison They switch hands to hold the staffs They seem to poke the victim They seem to strike the victim They bind her They leash her They display the netted slave to the audience The slave bows her head, caught


Dances mentioned in the Scrolls but not elaborated on: story dance Dancer, pg 175 hate dance ?? hunt dance mentioned, Dancer pg 172, Contrition dance Dancer, pg 332, Dance of the Snake Society Blood Brothers pg 272 Yellow Knife Dancers Blood Brothers Lance Dancers Blood Brothers pg 272 trophy dances Blood Brother pg 272 Great Manhood Dance Blood Brothers pg 32 Dance of the Free Maidens where FW experience some sense of their own voluptuousness Magicians pg 45 "Slave dance," on Gor, incidentally, is a very rich and varied dance form. It covers a great deal more than simple "ethnic dance." For example, it includes dances such as hunt dances, capture dances, submission dances, chain dances, whip dances, and such.



Dances from the Web
Name URL
Quote or Author	Raiment, equipment	Description

42. Talendar Dance http://members.tripod.com/~dancesanddreams/flowerdance.html
isabelle	Talendar Pole	isabelle dances to the sound of nature. She plucks a talendar, picking each leaf...he'll use me, he'll use me not. She dances around a pole, falls asleep outside, then dances in the rain. She begs her Master to use her.

43. Submission of a Taluna http://members.tripod.com/~dancesanddreams/taluna.html
isabelle	4 Spears	isabelle mourns her sisters, dancing between 4 spears that mark their graves. She dances to moonlight. She is taken home by an unknown Master.

44. The Beast http://members.tripod.com/~dancesanddreams/beast.html
isabelle		She dances for her Warrior on the sand near a pool until he makes her beg to be used.

45. A Flower Dance http://www.geocities.com/dancesofgor/original/
shirasaya{W}	Wears 2 flowers in her hair Peacock blue veil banded low on hips with belt of gold bells Teal halter	Swirls and dances for her Master Removes the flowers from her hair Runs soft petals over bare midriff Bares her breasts, teases each with the flower Writhes before her Master, using the flower to tantalize her flesh Offers the flower to Him

46. Auction Dance http://www.geocities.com/dancesofgor/original/
dawna{MD}	Not specified	Imagines herself being led to the auction block, moves with hesitation and fear Feels the whip of the Auction Master and tries to display herself better Begins to move with less hesitancy as a bidding war begins Sees the Warrior bidding on her and feels her body respond, dances for His pleasure, rising to a feverish pitch Smiles as she falls in a heap, exhausted, knowing herself sold to the Warrior

47. Dance of the Tuchuk Slave Girl http://www.angelfire.com/art2/goreanways/page7.html
tzevi{Z}	Cymbals Bells Leathers Corded Belt	Slave starts in shadow as music begins Slow movements become more rapid as she moves into the circle of the fire Dance becomes more frenzied Unties the corded belt and lets leathers slip off Dances rapidly, teasingly Ends by throwing herself at the feet of her Master

48. Dance of Loss http://www.kefira.com/loss.html
kefira	Silks	Begins with a posture of dejection Face reflects the pleasure of the dance as drumbeat starts Becomes lost in the dance Chokes back sobs Longs for the touch of a Master Ends in the position of the pleasure slave

49. Seduction Dance http://www.angelfire.com/art2/goreanways/page7.html
cae	Bells Coins Red Silks	She moves provocatively Toys with her body glancing at her Mistress Unknots the silk and lets it fall Continues her erotic movements Kneels before her Mistress and lowers her eyes

50. Veil Dance http://www.angelfire.com/art2/goreanways/page7.html
tzevi{Z}	Many layers of fine silk veils which cover her head to toe Finger cymbals	Begins with a crash of finger cymbals Dances seductively Removes a veil revealing a bare arm Uses veil, floating it about her body Continues to remove veil after veil, exposing her body Swirls and leaps and writhes Falls before her Master

51. Kaissa Dance http://www.geocities.com/a_kajiras_heart/Kaissa.html
sareena	Spear Slave Yellow silks Chain around her waist with 40 gold coins on it for the winner Red and yellow silks tied about her waist Hair tied back with silver ribbon, releasing it as the dance starts	Moves to edge of kaissa board in the sand Master sets the clock Spear slave moves her to various positions Music starts and she dancing on her square She spins and twirls as coins glimmer, moving to new squares as directed As the game goes on, her need gets stronger and stronger She feels intense need by the end of the dance

52. Duel Dance http://www.geocities.com/kassarslave/dueldance.html
senora and silver	Cord binding both slaves wrists together Leathers	Both dance for their Master to prove themself the more pleasing Tug at each other as each dances her love for the Master Competes with her sister for His love Ends by embracing her sister as a sister They then dance together for Him

53. Sea Dance http://www.silken-delight.net/kali/sddance.html
kali{Silan}	Wrist cuffs Chains Ankle cuffs	Lies in the sand by the ocean after the slave ship sinks Lifts arms to the moon Realizes the chains connect wrists to ankles Feels the water kiss her skin, begins to touch her body and moans with pleasure Writhes to the pounding of the surf on the sand Is lifted by an unknown Man He claims her for His own

54. Rising from the Ashes http://www.geocities.com/slavepost/content/dances/ashes.html
summer	5 veils, each of the colors of the 5 high castes Ankle and wrist bells	She weeps for what once was She wails and removes the white veil of the Initiates that covered her mouth, symbolizing the purity of her innocence when she first came to Gor She falls to her knees She moves to the Gorean bow She rips the green veil of the Physicians off her waist She touches her belly She rises and removes the yellow veil of the Builders from across her breasts, feeling fire begin in her belly She tears the blue veil of the Scribes from around her leg She repeats this for the scarlet one of the Warrior on the other leg She falls to her knees and lays her forehead on the sand

55. Wayastiglisapi's Waddle Dance http://www.geocities.com/kaiila_savages/Dances/Waya_waddle.html
Wayastiglisapi (Mighty Lightning Wolf) War Chief	Loin Cloth	Legs spread shoulder width apart Arm reach over head Hips gyrate Shoulders move Lifts and lowers each leg Smacks one leg to get it going Sways sensuously as loincloth rising with passion Jumps about the fire Bows

56. In the Dark of the Night http://www.geocities.com/kaiila_savages/Dances/Wakan.html
Wakan Zuya (Mystic Warrior) Civil Chief	Moccasins Lance	Shuffles slowly, lance held high Heel toes to the fire Throws head back and howls Spins and turns, pounding footfalls to the heavy drums Prowls and stalks as a Warrior Raises the lance as if to throw, running fingers lightly over chest Smiles and lowers lance

57. dollena's Dance http://www.webmaze.com/memberpages/kronik/dollsdance.html
dollena	Silks Bells	Is pursued by an unknown Master Twirls and ducks, but slips and falls Is pulled to her knees and forced to a Gorean bow Thrown to her belly she slithers to His boots and bara's Rolls to her back, pulling Him down on her and into her Thrusts to the rhythm Is allowed release, then kneels with arms crossed behind Him He puts the collar around her neck

58. isa's Spear Dance http://www.webmaze.com/memberpages/kronik/elisahncance.html
elisahn	Spear Belled anklet Leather wrapped around her waist	Moves with pride to the sand pit before the fire Raises her arms and throws the spear, landing it before her Master Leaps the spear, putting both hands on it, then moves down the spear, thighs apart Strokes the spear Pulls the spear out, then plunges it again before Him Crawls to it, ripping the leather from her body Sways and grinds with need Rubs her slaveheat, then rubs her breasts against the Master Grinds His leg, licking His chest Rubs on her Master until she spills her nectar on Him, then plungers her fingers deep inside, offering them to Him

59. aurora's Bird dance http://www.geocities.com/shimmering_moons/aurora.htm
aurora{MJW}w	Chain suspended from collar	She rocks against the chain She pictures the great tarn carrying her from her servitude She dances as if the beast has her in its talons She grinds her hips against the chains She lets her arms fly free She strokes the chain

60. Kurt Dance http://www.geocities.com/turia_dance/lake/darian2.html
darian{Saschi}	Covered from head to toe, gloved, and robed Hooded	Escorted to the dance by 6 Turian guards pointing spears at him Each carries a kurt (5 blades on each) Is cut by the kurts on his back Begins to dance with hatred for his captors Goes to hands and knees and pounces to try to break through the guards Is cut on the back 3 more times Falls back on his belly Lights are extinguished...it is silent The drums begin again He roars Lights are lit and he is there, proud and naked

61. Hith Dance http://www.geocities.com/turia_dance/lake/first.html
raine{TGR}	Hith cage Hith	Slave releases hith from its cage Is repelled and attracted to the slithering hith The snake slithers up her body as she stops her movement, filled with fear and desire Begins to sway again to the music, arms lifting in supplication The snakes travels up and down her body, inflaming her to untold heights of passion She reaches to touch it She opens her mouth to it's slithery kiss She falls to her knees as the hith begins to constrict around her Hith departs her body as she remains, panting and breathless, head to the stones

62. Cream Dance http://www.counter-urth.com/CF/creamdance.html
fille{D~FG} & ya`nika{D~LG}	Tub of bosk cream Chain which joins both girls	fille helps nika out of the tub of bosk cream They face each other, belly to belly, hands on each other's shoulders They begin to dance as the music starts, breasts touching They run hands down the other's body One scrapes the ass of the other gently with a fingernail They dance, swaying their hips against each other They move before their respective Master/Mistress and nadu

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