| A Brief Summary of the Positions |
| Position | Level | D e s c r i p t i o n |
bara
a.k.a., "sex" position
“”
Bara!" he snapped. I flung myself to my belly in the grass, putting
my hands behind me, wrists crossed, and crossing my ankles, too.
Book 22, Dancer: pg 415
"Bara, Kajira!" he said. She rolled quickly to her stomach, placing
her wrists behind her, crossed, and crossing her ankles, ready to
be bound.
Book 13, Explorers: pg 77
"Bara," said Micon to Tula. "Bara," said I to Feiqa. Both slaves went
immediately to the bellies, their heads to the left, their wrists
crossed behind their backs, their ankles also crossed. It is a
common binding position. We did not bind them, however. It was
enough that they lay there in this position.
Book 21, Mercenaries: pg 145
|
| sophomore |
This position is used for a variety of reasons, sometimes as punishment. She lays on her stomach, face down and turned to the left with her wrists crossed behind her back. Her ankles are crossed, as well, as if for binding. |
belly
“”
"Belly," I said to Feiqa. Immediately Feiqa, trembling, went
to her belly on the stained, sooted stones near the fire.
Book 21, Mercenaries: pg 19
"Now," I said, "for a third form of obeisance. You may 'belly' to me.
"I do not understand," she whispered.
"There are various forms of bellying," I said, "and
bellying may be suitably and pleasingly combined with other
forms of floor movements, approaching your master on all fours,
turning to your sides and back, writhing before him, and so on.
Book 21, Mercenaries: pg 410
|
| intermediate |
falls to the floor face down ...forehead resting flat on the surface ...arms at her/his sides ..legs widely spread...she/he crawls to the Master/Mistress on her/his belly |
blanket
“”
I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master, or some free man, lifts the covering away.
Book 13, Explorers: pg 94
|
| advanced |
when a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person |
bracelets
“”
"Stand," he said.
She did so.
"Bracelets," he said.
She looked at him, with hatred.
"Bracelets," he snapped.
She put her head in the air and placed her hands behind her back.
Book 8, Hunters: pg 146
Gracefully she stood. I observed her.
"Bracelets!" I said in Gorean harshly.
The girl snapped to position, hands behind the small of her back,
head lifted, chin up, turned to the left. In such a posture she
may be conveniently put in bracelets and leashed.
Book 10, Tribesmen: pg 78
|
| advanced |
Used to put on slave bracelets for chaining the slave.
A common place to chain slaves is to their Master's bed or at a
Tavern there are rings in the walls that a Master may use to
attach a slave to while he goes about his business.
Stands with feet a shoulder-width apart, holds her/his
head high with eyes lowered submissively, arms out before her/him
with wrists pressed together... ready for binding |
bracelets, kneeling
“”
"How?" I asked.
"Like this," she responded, kneeling before me, lowering her head and lifting her arms, the wrists crossed. She laughed. "Now you must take me with you or slay me," she said, "and I know that you cannot slay me."
I cursed her, for she took unfair advantage of the Warrior Codes of Gor.
"What is the submission of Talena, the daughter of the Ubar, worth?" I taunted.
"Nothing," she said. "But you must accept it or slay me."
Furious beyond reason, I saw in the grass the discarded slave bracelets, the hood and leading chains.
To Talena's indignation, I snapped the slave bracelets on her wrists, hooded her, and put her on a leading chain.
Book 1, Tarnsman: pg 109 [tLi]
|
| advanced |
alternate to bracelets
kneels, thighs spread wide, back arched, arms extended
before her/his with wrists pressed together, head held high with
eyes lowered submissively |
brand
“”
As they are free persons they could simply put the girl to her knees and
issue the command, "Brand," to which the girl must respond by revealing her slave mark.
Book 26, Witness: pg 529 [tLi]
|
| neophyte |
slave drops to her knees and reveals her slave mark
|
capture
“”
"On your back," he said, "knees raised, heels on the floor."
I then lay before him, in a standard, supine capture position.
Book 19, Kajira: pg 422 [C]
|
| sophomore |
slave lays down upon her back, bending her knees to place her feet flat against the ground, hands at her side and remains motionless
|
collaring
“”
He took his strap off her throat, and unbound her hands.
"Submit," I told her.
She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding.
"I submit to you, Master," she said.
I tied her hands together; she then lowered her bound wrists; I pulled up her head. I held before her an opened collar, withdrawn from my sea bag. I had had one prepared.
"Can you read?" I asked her.
No, Master," she said.
"It says," I said, "'I am the girl of Tarl of Teletus."'
"Yes, Master," she said.
I then collared her.
Book 13, Explorers: pg 74
"Assume the posture of female submission," I told her. She did so,
kneeling back on her heels, her arms extended, wrists crossed,
her head between them, down. She was weeping....
Hassan handed me the collar. It was inscribed 'I am the property
of Hakim of Tor'. I showed it to the girl. She could not read
Taharic script. I read it to her. I put it about her neck. I
snapped it shut.
Book 10, Tribesmen: pg 359
|
| intermediate |
Also called "the Posture of Female Submission," used when a Master wishes
a kajira (or FreeWoman) to submit to them. She kneels at the Master's
feet and leans her body back, sitting upon her heels, with her
arms extended upward, crossed at the wrists, and her head beneath
them lowered in supplication. Often confused with submission |
crawl
“”
"I crawl to my Master on my belly," she said," and beg for his touch." I smiled.
Book 12, Beasts: pg 80
I pointed to the stones at my feet. "Crawl," I said, in Gorean. The
girl slipped to her belly, and, as a slave girl, crawled to my
feet. She put her lips to my foot; I felt her hair over it.
Book 10, Tribesmen: pg 78
|
| freshman |
Gets down on all fours, palms to elbows flat on floor, butt in the air, forehead close but not touching the floor, and crawls to just an inch from Master/Mistress's feet |
display tLi-ism
NOTE: what is usally taught as "display"
comes from a quote in the Scrolls that shows exactly the opposite of what
is usually taught as "display" -- a forced, static positioning of a girl
BY an auctioneer, not a position the girl is to assume. At that point,
this pose is not termed "display", or named anything
else other than "a way"
However, there ARE references that show that a command that is termed
"display" involves sensual movement by the slave. See the 1st
quote below.
“”
“”
"Slave," said Cernus.
"Yes, Master," said Elizabeth.
"Stand straight and place your hands behind your head, head back."
She did so.
"Turn slowly," ordered Cernus.
When Elizabeth had done so once, she remained standing before him, as he had commanded.
Book 4, Assassin: pg 47
"Here, Noble Gentlemen, for your consideration, is the slave girl called
Alyena. Regard her! Does she please you? Move for the noble
gentlemen, Alyena. Display your beauty. Do not such
masters excite you? Do you not long to serve them? Behold,
Gentlemen, Alyena dances her beauty for you! How much am I bid
for the fair Alyena?"
Book 10, Tribesmen: pg 78
"Clasp your hands behind the back of your head," he said. I understood him
now. "Bend back," he said. "Display yourself." I obeyed,
of course. Too, the whip was now again in his hand. "Flex your
knees," he said. "Now, turn," he said. "Do not forget our
friends to the right," he said. I then displayed myself, again,
identically, at the right side of the block.
Book 22, Dancer: pg 131
|
The below quote is not "display"
The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that in such a way that she could be properly exhibited.
Book 13, Explorers: pg 36
|
| neophyte |
Stands, describing herself minutely, her hair, her
eyes, her bust, then turns slowly, 90° at a time, describing more
of herself as different parts of her face the Free Person, until she
has turned back to face the Free Person. She holds her stance until
released, whence she returns to kneel (nadu
or tower ) |
equitance tLi-ism
“”
* Oryx gently breaks the kiss, and looks at His property
<Oryx> remove My pants, and assume the equitance position
<pyxi{OcL}> yes, Master!
* pyxi{OcL} shimmies both hands down to unfasten fastenings, slipping fabric
urgently down strong thighs, then swings one shapely thigh over both of His,
turning to face Him, blacksilks riding so very high naked slaveflesh positively
radiating heat
* Oryx looks deeply into the blue-blue eyes of His kajira, and pulls her closer...
Conversations in tLi, #the-Lara-inn
|
| sophomore |
slave rises to the Master's lap, turning, facing Him, and straddles Him.
slave ad-libs from that point. It is suggested that the slave beg to
remove the Master's trousers BEFORE assuming this position. |
| fast serve tLi-ism
| freshman |
Serves what is asked for, but in no more than one or two posts. Usually used after ceremonies, where the point is to get the drinks to EVERYONE as fast as possible. |
feed
“”
One thing of that sort I recall is a trick where the girl feeds the master
a grape held between her teeth. She may or may not have her wrists
braceleted behind her back for this particular feat. One leg is
folded beneath her and the other is extended behind her, toes
pointed, and then she lifts the grape delicately to your mouth.
Elizabeth and I used to laugh heartily over this one, but I think
it was effective, as I seldom got beyond the third grape.
Book 5, Assassin: pg 204 [tLi]
|
| advanced |
Feeds the Master a grape (or other small fruit) held between her teeth. She may or may not have her wrists braceleted behind her back for this particular feat. One leg is folded beneath her and the other is extended behind her, toes pointed, and then she lifts the grape delicately to His mouth.
|
gorean [love] bow
“”
He then threw her, on her back, over the body, head down, of the
fallen Kur. He took the two loose ends of the binding fiber and,
taking them from under the body of the fallen Kur, dragged her wrists,
elbows bent, over and above her head; he then, bending her knees,
tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow.
Book 9, Marauders: pg 261 [Sierra`Irsei]
|
| intermediate |
A position that is more gymnastics than display.
Kneels in nadu position, bends the body backwards, the
head to the floor, placing hands by the head, elbows bent, and pulls up into a
back bend, ankles back behind her with knees bent. (this position is very painful to maintain for longer than a few min) |
hair position
“”
I held my left hand open, at my waist. She stiffened, and looked at
me, angrily. I opened and closed my left hand once. I saw her
training in Gorean customs had been thorough. But she never thought
that such a gesture would be used to her. She came beside me, and a
bit behind me, and, crouching, put her head down, deeply. I fastened
my hand in her hair. She winced. Women are helpless in this position.
Book 12, Beasts: pg 409 [C]
|
| sophomore |
Comes beside the Master, and a
bit behind, crouching with head deeply down. The Master fastens
His hand in the slave's hair. Used also so that the hair might fall
forward for display, or to be shorn, seized, or used for any purpose
that the Master desires.
Often signaled by the Master opening and closing His left hand once. |
heel
“”
The Forkbeard turned about and, one arm about Pudding, the other
about Gunnhild, started from the dock. Hilda followed him, to his
left. "She heels nicely," said Ottar. The men and bond-maids laughed.
The Forkbeard stopped. Hilda's face burned red with fury, but she
kept her head high. Pet sleen are taught to heel; so, too, sometimes,
are bond-maids; I was familiar with this sort of thing, of course; in
the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. "She is heeling!" laughed Ottar.
Book 9, Marauders: pg 123 [b]
The girl normally heels a right-handed Master on the left, that she not encumber the movements of the weapon hand.
Book 25, Magicians: pg 117 [b]
|
| neophyte |
Goes to Master and kneels behind his left foot, and awaits further orders.
NOTE: if Master is right-handed go to His left heel, if left handed go to His right,
so as not to encumber the movements of Master's weapon hand.
If He is ambidextrous, as are most Larans (another well-known genetic
uniqueness) she goes to both sides simultaneously (See equitance , or,
failing that, to either side. |
high-harness
“”
"Lift your head," he said. "Higher. Higher!" She looked up at him,
her head far back, the leash on her throat.... "You need not now keep
your head in high-harness position," he said to the girl. She moved her head.
Book 21, Mercenaries: pg 309 [C]
|
| freshman |
Similar to lesha except down from a kneeling position, keeping her head as high as possible. She kneels facing the Master, her hands crossed at the small of the back, back and shoulders slightly arched, her breasts thrusting forward, head held very high and tilted to the left with her eyes lowered in respect and submission. |
karta IRCism
a.k.a. "prostrate" position
“”
<Maitre_Charon> "karta - a short reference found in Mercenaries of Gor, during a conversation between Tarl and vella in which they recount aspects of her training at the House of Portus in Cos (see Assassins of Gor)"
<Oryx> 'karta' doesn't appear in MY copy of Mercenaries
<Maitre_Charon> nor in mine, but I thought the deliberate errors were a nice touch :)
* Oryx chuckles
* Maitre_Charon chuckles
<Oryx> where'd you find that gem?
<Maitre_Charon> obvious if you've read the books, not if you haven't :)
<Maitre_Charon> I made it up :)
<Maitre_Charon> just to see how many would fall for it :)
Conversations in tLi
Zeb eyed the slut entering his channel. "Harta karta, wench!"
Apocryphal [tLi]
|
| freshman |
Begging of entrance to channel: does NOT appear in the Scrolls,
but useful to know as is almost ubiquitous in Gor channels. Kneels on the floor,
thighs spread widely to allow prostrating the chest upon the floor, leans
forward placing breasts [chest] and forehead against the floor, reaches out with
arms fully extended, palms against floor. Ankles may be crossed or uncrossed.
Shows utmost respect. Requests may be made from this position, but don't expect them
to be necessarily granted.
Probably based on the obeisance position
|
knee crawl
“”
She went to the box on her knees and picked it up, and returned to a
place before me. It had been a simple knee crawl. I was
briefly reminded, however, of the Turian knee walk, sometimes used by
slave dancers. I considered the slave. I did not doubt but what she
might be taught to dance.
Book 25, Magicians: pg 342 [b]
|
| advanced |
slave travels on her knees, without standing, to fetch items or tend to duties |
kneel to the whip
a.k.a., "whipping position" or simply "whip"
“”
I crossed my wrists beneath me and touched my head to the floor,
exposing the bow of my back. It is the submissive posture of a slave
girl who is to be punished. It is called Kneeling to the Whip. I
shook, visibly, at his feet. I whimpered. I waited for him to call a
guard, to bring the lash
Book 7, Captive: pg 200 [C]
"Do not deny her nature to her," said the girl.
"Kneel to the whip!" I cried. Terrified the girl scambled to her
knees and knelt down, making herself small, her head to the furs. Her
wrists crossed under her as though bound.
Book 15, Rogue: pg 21 [b]
|
| advanced |
The submissive posture of a slave
who is to be punished; slave kneels in nadu ,
touches head to the floor, exposing the bow of the back. |
leading position
“”
"Leading position," he said. Sobbing, she rose to her feet and put her head down at what would be the height of a man's waist, her legs flexed.
Book 15, Rogue: pg 287 [tLi]
In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position.
Book 21, Mercenaries: pg 399 [b]
Her master seized her from the circle then and hurried her from the light, her head down, held by the hair, at his left hip. This is a common leading position for female slaves being conducted short distances. As the master holds her hair in the left hand, it leaves his right hand, commonly the sword hand, free.
Book 25, Magicians: pg 46 [b]
|
| sophomore |
Stands and moves behind her Master, bending at the waist.
She places her hands behind her and puts the side of her head to
her Master's hip, that he might lead her easily by the hair or collar while walking. |
lesha
“”
"Lesha," snapped the second officer to the blond girl. She spun from
facing him, and lifted her chin, turning her head to the left,
placing her wrists behind her, as though for snapping them into slave bracelets.
Book 13, Explorers: pg 76
"Lesha!" he said. Immediately, responsive to this command, I flung
my wrists behind me, separated by some two inches, and lifted my
chin, my head turned to the left. I felt slave bracelets flung,
snapping shut, on my wrists. I was braceleted. In another moment
I was leashed.
Book 22, Dancer: pg 365
|
| freshman |
This position is used to attach a leash. She stands, her back to the Master and her feet shoulderwidth apart, with her chin lifted and head turned to the left, offering her collar for leashing. Her wrists are behind her back, ready, if needed, to be snapped into slave bracelets. |
nadu
“”
"Nadu!" he cried, loosening the whip coils on her throat.
She swiftly knelt, back on her heels, back straight, head high, hands on her thighs, knees wide.
Book 13, Explorers: pg 155 [caro/wings/rose]
"Come now, my pretty slaves," said Ginger, "kneel straight. Back
straight, heads up. Back on your heels there! Spread those pretty
knees. Yes, that is the way men like it. Put your hands, palms down,
on your thighs. Good. good. Excellent!"
The girls now knelt in the coffle as pleasure slaves.
Book 17, Savages: pg 155 [C]
"Straighten your body, Slave," I told her.
Frightened, Miss Blake-Allen straightened her back, and lifted
her head. She knelt back on her heels, knees wide, and hands on her
thighs. It was the position of the Pleasure Slave. I had taught her
the position. It is one of the first things a good-looking woman,
fallen slave, is taught on Gor.
Book 10, Tribesmen: pg 53 [C]
"The palms of your hands are facing upward," I said.
"Oh!" she said, and quickly turned them downward, and clutched
her thighs. The rag she wore, given her knee position, that of a
pleasure slave, was high on her thighs. Her hands, her fingers on her
thighs, digging into them, as though they would anchor themselves
there, half covered it. He grip was partly through the cloth and
partly on her thighs.
Book 25, Magicians: pg 320 [b]
The hands of a Pleasure Slave normally rest on her
thighs but, in some cities, for example, Thentis, I believe, they
are crossed behind her.
Book 3, Priest Kings: pg 47 [tLi]
|
| freshman |
This is the most basic of all the positions. This is the
position a slave is in most of the time. Slave kneels before the Free person,
head held high, eyes downcast, knees spread wide open, shoulders back keeping
the back straight, breasts [or chest] thrust outward. Hands lie on the thighs.
If the slave is offering sexual service, the palms face upward; otherwise
downwards. In Thentis, her hands are crossed behind her. |
nestle
“”
"Nestle," I told her.
"Yes, Master," she said. She nestled obediently in the crook of my left arm.
Book 13, Explorers: pg 279 [tLi]
|
| neophyte |
Slave fits herself against the Master's side, snuggling into the crook of His arm. |
obeisance
“”
"Now," I said, "and this is clearly a form of obeisance, bend forward and put
your head to the mat, the palms of your hands on the mat. Good. Now
lift your head little and come forward, substantially keeping the
position. Forward a little more."
"But then my face will be at your feet," she said, "my lips will be over them!"
"Yes," I said, "Good, now, put your head down and lick and kiss my feet."
Book 21, Mercenaries: pg 409 [C]
Swiftly we assumed a common form of slave obeisance, kneeling, the
palms of our hands on the ground, our heads to the ground.
Book 22, Dancer: pg 114 [tLi]
|
| freshman |
Goes to the floor, laying upon her stomach, face down before
the Master. She turns her head and places her cheek against his
feet, kissing them lightly in a gesture of love and submission.
Probably the basis for the IRCism karta
|
| run command IRCism
| freshman |
slave runs toward the objective, taking short rapid steps,
with legs almost straight, feet hardly leaving the floor. Back is
straight while moving, head turned to the left, arms are at the
sides, palms facing outward at a 45 degree angle to the body.
Upon reaching the objective slave drops gracefully to knees and typically resumes the position of nadu . |
she-quadruped (in the modality of)
“”
“”
In this discipline the female is forbidden human speech. She is also
forbidden human posture, in the sense that she is not allowed to
rise to her feet. Her locomotion, unless commanded to roll, or
put under similar commands, suitable for a pet, will be on all
fours. Her food will be thrown to her, or put in pans on the
ground. In either case, she must feed without the use of her
hands. She may also, of course, be fed by hand, but, again, will
not be permitted to touch the food with her hands. She may be
taught tricks. Sometimes these are taught as functions of
arbitrary sounds, so that she must learn them as any animal
might, without the benefit of an earlier understanding of the
word used. If she is slow to learn, of course, she is punished,
as would be any other animal. When used, too, it will commonly be
in the modality of the she-quadrupled. This discipline is
often used as a punishment, but it may figure in the training of
a new girl. It helps her to understand what she now is, an animal
totally subject to her master.
Book 16, Guardsman: pg 225 [C]
|
"In what slavery, or slaveries, will Master place me?" she asked.
I looked at her position. "Perhaps in these slavery of the she-quadruped," I said.
"Master may do so, if he wishes," she said, "if it pleases him, or amuses him."
In this form of slavery, which is commonly used for disciplinary
purposes, or for the amusement of the Master, the woman is not
permitted to arise from all fours; similarly she is not permitted
human speech, though she may signify needs and desires by such
means as cringing, and moaning and whimpering. Not permitted the
use of her hands, save as a means of locomotion, she must also
eat and drink from pans set on the floor, or, sometimes to
satisfy her thirst, she must lap the water permitted to her from
puddles or lick pillages from the tiles; too, it is no uncommon
to chain her near her master's feet, while he dines, that he may,
if he wishes, throw her scraps of food. She will also be taught
tricks, through which paces she may be put for the entertainment
of her master's guests, such things as begging, lying down,
rolling over, and fetching his sandals in her teeth. And,
needless to say, when her master wishes to use her sexually, it
will be a position common to the she-quadruped.
Book 21, Mercenaries: pg 215 [C]
|
| advanced |
"In the Modality of the She-Quadruped" is an instruction whereby the slave
performs her regular duties upon hands and knees, without the
benefit of the use of her hands. In this mode she may not rise to
her feet and may use only her mouth and teeth to grasp and
manipulate objects.
The slave is not permitted human speech though
may signify wants by moaning or whimpering, and is
fed and watered from pans on the floor.
This is reminiscent of, but not at all the same as the she-sleen postion.
It should be noted that the sleen is a six-legged animal (heptoped), while
quadrupeds on Gor include the pig-like tarsk and goat-like verr. |
| she-sleen IRCism
| advanced |
Slave drops to all fours, butt presented and high, ready for use and/or discipline.
Essentially a sexual position, she-sleen differs from the Modality of the She-Quadruped in that this is
a position for the slave to assume, while the Modality is a way
for the slave to perform her duties and carry herself. |
slave lips
“”
"On your back," I snapped. "Make slave lips. Throw apart your legs!"
Swiftly the girl complied, tears in her eyes. She then lay there, her lips pursed to kiss, her ankles widely spread.
I looked down at her. She looked up at me, tears in her eyes.
A girl who is commanded to make slave lips, or who receives the command, "Slave lips," must form her mouth for kissing. She then, commonly, is not permitted to break this lip position until either she kisses or is kissed. Needless to say, a girl cannot speak when her lips are in the unbroken, fully-pursed slave-lips position. The command which commonly followes the "Slave-lips" command is, "Please me."
Book 18, Blood Brothers: pg 111 [tLi]
Similarly, I was not required to respond to certain sorts of
commands, for example, to make "slave lips," pursing my
lips for kissing, or to writhe slowly before my viewers.
Book 19, Kajira: pg 224 [C]
What could she have shown them in three days? Something, I
supposed. Perhaps little more than how to make slave lips and do
a little squirming, naked.
Book 23, Renegades: pg 372 [tLi]
|
| neophyte |
Turns her head up to the Master, her lips pursed in a sensual kissing position.
She remains motionless, her lips thusly puckered, and may not
move until she is granted the kiss of a Master.
Regarded as one of the first commands a slave learns. |
stake
“”
"Stake position," said Ephialtes to the two women. Immediately they
both lay down, with a sound of chain. It is not unusual to forbid
a rent slave, during her use times, when chained at a stake, to
rise even to her knees.
Book 24, Vagabonds: pg 386
|
| freshman |
Lies down and is not permitted to rise even to her knees. Not to be confused
with "steak" position.
|
stand
(as a Gorean slave girl)
“”
"Stand as a slave", he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than a Gorean slave girl. ‘Excellent’, said Ladletender, smacking his lips.
"Master is pleased?", I said.
"Yes", he said.
"The slave, too, is then pleased", I said.
Book 11, Slavegirl: pg 249
|
| sophomore |
the kajira stands to show off her beauty, her weight resting on one leg,
the other leg extends somewhat to the front or side, toes
pointed, heel lifted from the ground, head high, belly sucked in, hip turned
|
submission IRCism
“”
"On your belly," I said. She backed off a bit, and went to her belly.
Her hair was before her face, as she, now on her belly before me, looked up at me.
"Now, inch forward," I said, "remaining low on your belly, and
when you reach my feet, once again, as before, lifting your head
a little, tenderly and humbly, and beautifully, as though you
were a slave, lick and kiss them. Good. Good. Now take my foot
and place it gently on your head. Very good. Now place it again
on the mat, and kiss it again. Good. You may now belly back a
little, humbly.
Book 21, Mercenaries: pp 410-411
|
| intermediate |
Kneels, bending at the waist, placing her cheek to the floor. She then takes
the Master's right foot and places it upon her neck, she places
her arms behind her back, crossing them at the wrist. Used to have a
kajira demonstrate their submission, as opposed to the
collaring position above,
known as the "Posture of Female Submission" which is used by someone
declaring and initiating their submission.
|
sula
“”
"Sula, Kajira!" said the man. She slid her legs from under her and
lay on her back, her hands at her sides, palms up, legs open.
Book 13, Explorers: pg 77 [C]
|
| intermediate |
Lays on her back, her hands at her sides, palms facing upward. Her legs are spread wide open... she awaits Master's inspection |
sula-ki
a.k.a., alternative sula IRCism
| intermediate |
Almost identical to sula , except
once she has assumed sula
she slowly lifts her hips up off the floor, as if beckoning him
with her body, encouraging her sexual use by him. |
| table IRCism
| sophomore |
Goes to all four, arms and legs a shoulder width apart locking her/his elbows, makes her back smooth and level, holds her head level |
tower slave
“”
The position of the Tower Slave, in which Vika knelt, differs from
that of a free woman only in the position of the wrists which are
held before her and, when not occupied, crossed as though for
binding....
The position of the Pleasure Slave, incidentally,
differs from the position of both the free woman and the Tower
Slave. The hands of a Pleasure Slave normally rest on her
thighs but, in some cities, for example, Thentis, I believe, they
are crossed behind her. More significantly, for the free woman's
hands may also rest on her thighs, there is a difference in the
placement of the knees. In all these kneeling positions,
incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high.
She tends to be vital and beautiful to look upon.
Book 3, Priest Kings: pg 47 [C]
The position of the tower slave, in most cities, is very similar
to that of the pleasure slave. The major difference is that the
tower slave, whose duties are commonly, primarily,
domestic, kneels with her knees in a closed position, where as
the pleasure slave, in a symbolic recognition of the fuller
nature of her bondage, and its most significant aspects, kneels
with them in an open position.
Book 18, Blood Brothers: pg 107 [tLi]
|
| neophyte |
Another variation of nadu in which she kneels the
same way, but with her hands, when not occupied, crossed as though for
binding, and her knees are held modestly
together. Typically reserved for underage or WHITE-SILK
slavegirls, or slavegirls who serve their Master in a non-sexual
way, such as a Tower Slave or female Work Slave. |
walk IRCism
“”
I watched the girl approach the slave.
She approached in rapid, small steps, her head down, her hands to the side, slightly extended, palms back.
Book 24, Magicians: pg 389 [C]
|
| sophomore |
The slave approaches in rapid, small steps, her head down, her hands
to the side, slightly extended, palms back.
| Supposedly how a slave approaches or walks behind a master, the
description is actually taken from when a slave approached another
slave. Go Figure. |
|
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